EDUCATION
1999 – 2002
Bachelor of Visual Art, (Honours) Adelaide Central School of Art, South Australia
SOLO EXHIBITIONS
2017
Long Ballads, Ideas Platform Artspace
2016
The Song of Master John Goodfellow, GAGPROJECTS, Adelaide
Structure for navigating an unknown afterlife, Art Pod
2015
One to rot and one to grow, Contemporary Art Centre of South Australia
2013
Pinch wood, Fontanelle Gallery
Some to the stone, Anna Pappas Gallery
2012
Some to the stone, Latrobe Regional Gallery
2011
Damn your eyes, Greenaway Art Gallery,
Slumber or perish, Anna Pappas Gallery
2010
The Sound of the Beast, Anna Pappas Gallery
2008
Here’s to my sweet Satan, Anna Pappas Gallery
2005
Howling around your kitchen door, Studio Gallery, Adelaide Central Gallery
2004
eat, wolf, the Project Space, Contemporary Art Centre of South Australia
SELECTED GROUP EXHIBITIONS
2019
The National 2019: New Australian Art, Museum of Contemporary Art, Sydney
2018
Psychache, Holy Rollers Studios, Adelaide
Sensual Nature, Fremantle Arts Centre, Perth
2017
versus Rodin, Art Gallery of South Australia
Guirguis New Art Prize, Art Gallery of Ballarat
Open House: 3rd Tamworth Textile Triennial, Tamworth Regional Gallery
Art Dubai, GAGPROJECTS
2016
Spring 1883, GAGPROJECTS, The Windsor Hotel
2015
More love hours, Ian Potter Museum of Art
do it (adelaide), Samstag Museum of Art
2014
Dark Heart, 2014 Adelaide Biennial, Art Gallery of South Australia
Be consumed, Jam Factory Gallery
2013
Neck of the woods, Adelaide Central Gallery
2012
End of the World, Fontanelle
New Work, Greenaway Art Gallery
CACSA @ 70: Members Exhibition 1, Contemporary Art Centre of South Australia
Heysen Sculpture Biennial, The Cedars
2011
Imagining Interiors, The Jam Factory
Third Impact, Light Square Gallery
2010
CACSA Contemporary: The NEWNEW, The Gallerie
Flyblown, Felt Space
Nameless Cylinder, Dianne Tanzer Gallery
2009
Between us, Adelaide Central Gallery
Nameless Cylinder, Seedling Art Space
2007
Infernal Cake, Anna Pappas Gallery
Maladies and Remedies, The Project Space, Contemporary Art Centre of South Australia
I am afraid, Anna Pappas Gallery
2006
Sensible Shoes, Adelaide Central Gallery
Things will be great, MOP Gallery
2005
Petrified Nature, Downtown Art Space
Superstructure, West Space
2004
Primavera, Museum of Contemporary Art, Sydney
PROFESSIONAL EXPERIENCE
2004 – Current Lecturer, Adelaide Central School of Art
2013 Artist in Residence, Seymour College
2008 Artist in Residence, Wilderness School
2005 Design Associate, The Green Sheep, Windmill Performing Arts
AWARDS
2016
Winner, The Advertiser Contemporary Art Award
SELECTED BIBLIOGRAPHY
2018
Double edge of nature, William Yeoman, The West Australian, April 7th
2017
Wicked, John Neylon, The Adelaide Review, Issue 449
Versus Rodin: Bodies across space and time, John Neylon, The Adelaide Review, Issue 446
2016
A touch of taboo, Tracey Clement, Art Collector 2016 edition of Spring 1883
Julia Robinson and Greg Geraghty, Artist Profile, http://www.artistprofile.com.au/julia-robinson-greg-geraghty/
The Song of Master John Goodfellow, Jane Llewellyn, http://artguide.com.au/julia-robinson
Literary bent, Art Monthly, Issue 291
2015
Varieties of Religious Experience, Ken Bolton, The Dark Horsey Form Guide, Vol 15.3
One to rot and one to grow, Kirsty Darlaston, Artlink, Volume 35: 3
Dancing and Dying, Lisa Slade, Broadsheet, Volume 44.2
2014
Conjuring up a dark heart for modern art, Brett Williamson,891 ABC Adelaide,
http://www.abc.net.au/local/photos/2014/02/19/3947765.htm?site=adelaide
Curating the curative: talismanic tendencies in contemporary art, Lisa Slade, Das Superpaper, March 2014
Jump cuts, John Neylon, The Adelaide Review, Issue 415
2013
Bodies cast in a state of sexual ambiguity, Robert Nelson, The Age, March 13th
Playing the Fontanelle, Wendy Walker, Art Monthly, No. 265, November
2012
Atavistic Howling, John Neylon, The Adelaide Review, Issue 385
2011
Sympathy for the Devil, Jennifer Kalionis, Artlink, Volume 31, No 4
Looking Dark, Stephanie Radok, Australian Art Review, Issue 28
Death Becomes Her, Sinead Stubbins, Melbourne Weekly, 31 August
Oh my Goth, John Neylon, The Adelaide Review, Issue 376
2010
CACSA Contemporary 2010: The NEW NEW, Lisa Harms, Artlink, Volume 30, No 4
The NEW NEW, Stephanie Radok, The Adelaide Review, Issue 369
2009
Satan and Friends, Inga Walton, Textile, Issue 1, No. 93
Between us, Lauren Tomczak, dB Magazine, Issue 466
2008
No ifs or butts, Ross Moore, Sightlines Galleries, The Age, October 3rd
Two Adventures in Three Dimensions, Megan Backhouse, Art Guide Australia, Sept/ Oct
Dante’s just dessert, Inga Walton, Profile, Fibrearts, Sept/ Oct
2007
The Infernal Cake, Inga Walton, Craft Culture, http://www.craftculture.org
2006
Sensible Shoes, Stephanie Radok, The Adelaide Review, Issue 298
COLLECTIONS
Art Gallery of South Australia
Museum of Contemporary Art
Artbank
Private collections in Australia and overseas
